And he and I fall a lot of times, but I tell you that he is important and I should acknowledge him, because he was the one, with me, that, we said, "Let ANYBODY come on this show, anyone that can play this game, no matter what color or creed, no matter if they're in a wheelchair or they have no sight." And we've HAD everybody on this show, and he was very, very important in that and I acknowledge and thank him for it. He was a producer in the beginning of the show, and he helped steer and guide the way that we went. I want to publicly acknowledge Howard Felsher, who is our Executive Producer.
there was a great magic about this show that I've never seen on any other show. I've done lots and lots of jobs, and I've never, ever had a job like "Family Feud." I've never DREAMED I would ever have a job where so many people could touch me and I could touch them. I've had the most incredible luck in my career. Stretch it a bit, and you might even include other Netflix standouts like Lost in Space and Wednesday (which is really just a reboot of The Addams Family).Richard Dawson: So, the Mackins were our final winning family, and they've won $5,504, and I'm proud of 'em. Or Netflix's series version of Spike Lee's first major film, She's Gotta Have It, in 2017. Think of the History channel's remake of the classic 1970s-era miniseries Roots in 2016. And because period pieces are always about the times when they are made rather than the times they depict, all the issues they present are handled far differently than they would have been in the late 1980s.įor the purposes of this story, I've defined a TV reboot in slightly stricter terms than usual – as a new version of an old program featuring the same characters in the same setting. Instead of recreating the show as the Arnolds in blackface, ABC reimagined The Wonder Years as a new tale set at the same time, focused on a different family.
Television ABC's New 'Wonder Years' Succeeds By Centering A Black Family In History
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